The tower's ground floor, seen from inside: the walls are painted mustard yellow, the ceiling dark grey, and above the stairs part of the ceiling is clad in dark, corrugated sheet metal. Through the doorway, worn stone steps rise upward; in a small, half-round window opening in the wall, a black wrought-iron railing leading up the stairwell is visible. On the wall, graffiti is sprayed in black paint ("ALFA", "PATINA" and a small crown), and in places the crumbled plaster reveals a rough, pebble-aggregate base beneath. Next door, a room with wooden parquet flooring is scattered with paper debris and holds an empty frame leaning against the wall.
According to the estate's owners, this is exactly the state — painted yellow and grey, neglected — in which they found the tower's interior when they acquired the estate. This Soviet-era institutional colour scheme is laid over the very same neo-Gothic tower whose exterior arcade, cracked cornice and crumbled decoration were already seen in exhibits No. 77, 80–82 — so now we know what this tower's interior looked like, not just its façade.
As in the other exhibits in this series, the animation only turns the camera barely perceptibly — the frame is already real and in colour.